By Leeds Music Corporation
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Extra resources for 40 More Hits of Our Times, Book 2
Both are fanciful, committed performances that are expertly played and recorded. (Connoisseur Society All of which leads us to the Rubinstein recording 4001), which retains No (RCA LSC remarkable freshness and spontaneity. all its other pianist communicates the subdued but passionate melan- choly of the first second movement movement is movement with the force of Rubinstein; the all grace, charm and tenderness and the last is a whirlwind of blazing, kaleidoscopic motion. Ru- binstein has contributed formances to the some literature; of the nothing most is colossal recorded per- more endurin,g than Now it (RCA TR3 1016, 3H playing of Beethoven's "Moonlight" Sonata.
Sensitively and delicately exploited and the classical principles of structure and architecture are part and parcel of Bartok's musical impulse. 1930s, in addition to the Music The principal works of the late for Strings, Percussion were the Second Violin Concerto, the Sonata for Two and Celesta, Pianos and Percussion, Contrasts for Violin, Piano and Clarinet, the Diverti- mento for String Orchestra and the Sixth String Quartet. Baa 15 Bart6k As the Hungarian alliance with the spreading cancer of Nazi Germany began to become increasingly pronounced in the late 1930s, Bart6k became increasingly critical of the Hungarian political authorities.
Reiner-Chicago Symphony performance dates from 1956 and it is one of hair-trigger precision and virtuosity, with an undeniable feeling of tension, but also with an uncommonly expert shaping of the tonal architecture of the score. The microphoning more is more distant than the norm of the Chicago Symphony, but Reiner's authority and command still make that has prevailed a striking impression. Victrola issue, it is And at the recently in recordings budget price of the certainly a bargain. Solti presents a performance of enormous power and sweep, splendidly played by the great London Symphony Orchestra and superbly recorded by the RCA has now withdrawn dorf performance, leaving the tape and cassette field virtually un- challenged to the Angel recording of the score by Seiji the Chicago tively).
40 More Hits of Our Times, Book 2 by Leeds Music Corporation